fall fun
Halloween fashion
20/10/11 10:34
In anticipation of his retrospective at New York's Museum of Modern Art, filmmaker Tim Burton reimagines the season's dark delights.

Taking inspiration from popular culture, Tim Burton (American, b. 1958) has reinvented Hollywood genre filmmaking as an expression of personal vision, garnering for himself an international audience of fans and influencing a generation of young artists working in film, video, and graphics. This exhibition explores the full range of his creative work, tracing the current of his visual imagination from early childhood drawings through his mature work in film. It brings together over seven hundred examples of rarely or never-before-seen drawings, paintings, photographs, moving image works, concept art, storyboards, puppets, maquettes, costumes, and cinematic ephemera from such films as Edward Scissorhands, The Nightmare Before Christmas, Batman, Mars Attacks!, Ed Wood, and Beetlejuice, and from unrealized and little-known personal projects that reveal his talent as an artist, illustrator, photographer, and writer working in the spirit of Pop Surrealism. The gallery exhibition is accompanied by a complete retrospective of Burton’s theatrical features and shorts, as well as a lavishly illustrated publication.

We love our crystal-- as in jewels!~
06/08/11 21:34
Baccarat has enlisted the fab Parisienne designer, Ms. Lechère to launch a line of jewelry highlighting crystal. The partnership kicks off this fall with Les Sous Bois, a collection inspired by the forest floor. “The sous bois is quite dark, and crystal is light and shiny,” says Lechère. “The contrast was fascinating.” The rings, earrings, bracelets, and long necklaces are divided into three groupings: Murmure centers on an oak-leaf motif; Mystère casts the crystal as a dewdrop on curled metal leaves; and Merveille features honeycomb-like structures. For Lechère, working with the ultrafine colored glass proved a welcome challenge. “Because the crystal is much more delicate, you really have to wrap it—you can’t set it like a stone,” she says. “What was in the beginning a constraint became an advantage.”
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